THE OHIO STATE UNIVERSITY PORTFOLIO, ADDITIONAL MATERIALS
WORK SAMPLE 4:
EXCERPTS FROM PROCLIVITY (2022)
interactive sound, lighting, and video performance environment
designed for poet and performer SA Smythe
Excerpt 1, demonstration of interactive lighting design
Excerpt 2, demonstration of interactive sound, lighting, and video design
Excerpt 3, demonstration of interactive sound and lighting design (including instrument that uses ultrasonic proximity sensors for sound synthesis)
WORK SAMPLE 5:
SEAR (2016)
for chamber orchestra (8′)
written for the LA Phil’s 2016 National Composer Intensive
Note: the performance in the video is of a slightly revised version, which matches the score above. The SoundCloud recording is the original version.
WORK SAMPLE 6:
HOW MUCH MORE COMPELLING IS THE SEA (2015)
for soprano and mixed septet (9′)
commissioned by the soundSCAPE Festival for Eastman BroadBand
ORIGINAL MATERIALS
WORK SAMPLE 1:
LUSCINIA (2017)
for orchestra and live electronics (13′)
winner of the 2017 La Jolla Symphony Nee Commission
winner of a 2018 ASCAP Morton Gould Young Composer Award
WORK SAMPLE 2:
EXCISION NO. 2: THEY DIDN’T KNOW WE WERE SEEDS (2018)
for viola and live electronics (10′)
written for Kurt Rohde
commissioned by the Barlow Endowment for Music Composition at Brigham Young University
>>>score<<<
WORK SAMPLE 3:
SUBSUMPTION, NO. 1 (2022)
site-specific interactive sound, light, and film installation
designed in collaboration with particle physicist and filmmaker James Beacham
(all code, interaction design, sound design, lighting design, and actual installation done by me; film by James)